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| Jul 30 2009, 11:45 AM EDT | Cameron-TOK716 | 3 words added, 4820 words deleted, 19 photos deleted, 5 widgets added, 9 widgets deleted |
| Jul 30 2009, 10:20 AM EDT | Wild-Kat |
| Synopsis: After Skynet has destroyed much of humanity in a nuclear holocaust, a group of survivors led by John Connor struggles to keep the machines from finishing the job. MPAA Rating: PG - 13 for language and sci-fi violence and action Runtime: 130 minutes |
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| April 26, 2009 | Preview: Terminator Salvation for IPhone Chris Holt, Macworld.com Due out the first week in May, Terminator Salvation brings the apocalyptic science fiction series to the iPhone. Tying in with the movie released later in the month, Terminator Salvation promises intense third-person shooter action set in the epic war for humanity's survival. Fans of the series can look forward to playing as John Connor, the human resistance leader and future savior of mankind. Also playable is the mysterious character "Marcus," whose allegiance to the human alliance is shrouded in mystery. Through over three hours of gameplay and eight levels, players can guide these two characters through a post-apocalyptic war torn world. Each mission opens with a cut scene and a mission briefing that detail the enemies you'll be encountering and their weaknesses. These enemies include the iconic T-800 Model 101 Terminators and other robotic enemies designed by Skynet-- including tanks, motorcycles, and spider-like attack drones. But don't worry, you'll have plenty of armament to fight the robotic armies of Skynet. During the demo, I put down a variety of T-800 Models with my assault rifle and annihilated several tanks with my anti-tank gun perched from the back of my all-terrain vehicle. Other weapons, including shotguns, grenade launchers, chainguns, and something called the "surge cannon" are also available through the course of the game. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| April 26, 2009 | It's being reported that original Terminator star Linda Hamilton has completed recording her voice-over role in Terminator Salvation. McG has said he wanted to use Hamilton's voice as a lead-in to and end of the movie, based on the tape recordings she was seen making at the end of the original Terminator movie to her as-yet-unborn son John. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| March 30, 2009 | The action-packed Terminator Salvation game will be released in conjunction with the highly anticipated film, opening nationwide on May 21, 2009. Based on the movie, the game offers players the chance to assume the role of John Connor, a soldier in the resistance, battling for survival against the far superior forces of Skynet. The game features concentrated armed combat against all of the Skynet enemies from the film while encountering new enemies specifically designed for the game. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| March 26, 2009 | New Six Flags Coaster to Offer Salvation While the theme sounds promising, I still find it odd that Six Flags chose an old-school wooden coaster to tell a new-age sci-fi story. And it's doubly odd that nearby park competitor, Universal Studios Hollywood, has its own attraction tied to the Terminator franchise. Read more about the Terminator coaster coming to Six Flags Magic Mountain. TERMINATOR: THE COASTER will be located in the northwest corner of the park, next to Déjà Vu and is slated for a spring 2009 opening. With the addition of TERMINATOR: THE COASTER, Six Flags Magic Mountain will be home to 16 world class coasters. SPECS Roller Coaster: Terminator Salvation: The Coaster Amusement Park: Six Flags Magic Mountain (Valencia, California 91355 USA) Classification: Roller Coaster Type: Wood - Sit Down Status: Under Construction opening 2009 Builder: Great Coasters International Cost: $10,000,000 USD Length: 2877' Height: 95' Drop: 87' 4" Inversions: 0 Speed: 50.1 mph Duration: 3:00 Trains: 2 trains with 12 cars per train. Riders are arranged 2 across in a single row for a total of 24 riders per train. Riders must be 48" or taller to ride. Built by Great Coasters International Millennium Flyer trains. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| March 25, 2009 |
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| March 22, 2009 | Source: MovieHole Back in June, the ending of the upcoming "Terminator Salvation" leaked online. Some of you may have heard of it and some of you haven't. Moviehole is reporting that the ending has been completely changed. Warner Bros decided to make the change because of the leak, but they have already tested the new version and they are happy to say that it tested better than the old ending. The source added that the movie has become more believable. SPOILERS AHEAD: It's not much of a spoiler anymore, but in case you're interested, here is the original ending: The main character is Marcus, played by Sam Worthington. Marcus was a criminal who was executed in 2003. He donated his body to Project Angel which was involved with SkyNet. They took his body and made a terminator out of him, giving him a terminator skeleton, but leaving his living muscle/skin and a beating heart. At the end of the movie John Connor (Christian Bale) is fighting a T800 model terminator and loses. He dies and the top resistance people come up with a plan to keep his image alive in order to help resistance keep fighting. They rip off Marcus' skin and put John Connor's on the skeleton so now Marcus is John Connor. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| March 17, 2009 | It's been reported (but unsubstantiated) that Linda Hamilton has completed her voice over work for the movie. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| March 11, 2009 | Bryce Dallas Howard says she's "such a geek". The actress - who got her big break in Spider-Man 3 - says she is even more excited about battling killer robots in Terminator Salvation opposite Christian Bale than she was about swinging with Spider-Man. She explains, "The funny thing is before I got the role I was on the Terminator websites checking out the gossip on the new movie because I'm a huge fan. "When I heard Christian was cast I was so excited about the movie, then to be offered a role myself was almost too much. I'm such a geek." | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| March 10, 2009 | Source: Cinemablend.com Whether you think Terminator Salvation will suck or rock, there’s plenty of licensed material being coupled in with the movie’s release. A major console rendition of the movie is in the works and it has recently been revealed that a mobile game rendition of the movie is also in the works. The game will be based on the first of the three new Terminator movies and will release on May 22nd of this year. We’ll keep you posted on further updates and news regarding the further development of this title (mainly in hopes that it turns out to be better than most games in the genre). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| March 9, 2009 | Source: io9.com Will Sam Worthington (Marcus) be the Next Batman? Sam Worthington's fame is set to explode in the US with May release of Terminator Salvation, and again in December when James Cameron's Avatar is released.Cameron, also the creator of Terminator, is backing him to be the breakout star of both films. Industry gossip now suggests the rising Australian actor could score the part of Batman in the third installment of the successful prequel franchise. That could mean replacing his Terminator co-star and The Dark Knight lead Christian Bale, whose profile was damaged after his infamous "me, me, me" meltdown on the Terminator set, which recently hit the internet. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Marc 7, 2009 | Washington, March 7 (ANI): Moritz Borman has filed lawsuit against his fellow "Terminator: Salvation" producers over fraud and breach allegations. The veteran film producer submitted papers against Derek Anderson and Victor Kubicek and their Halcyon Co. banner in Los Angeles Superior Court claiming more than 160 million dollars in damages. The suit cited eight causes of action including non-payment of balance producing fees amounting to 2.5 million dollars, reports Variety magazine. Borman claimed he had helped Anderson and Kubiceck obtain the "Terminator" rights and that his agreement included approval rights on the film, creative decisions along with a 5-million dollar producing fee and "significant" back-end compensation. He alleged that he would have withdrawn had he been familiar with their "shady" past or that the two had faced court before for "swindling" other motion picture investors. The suit said: "Notwithstanding the fact that defendants obtained the substantial franchise rights and assets through Borman, Anderson and Kubicek failed to honor their assurances, representations and contractual obligations to Borman. "Defendants’ egregious fraud, bad faith conduct and refusal to abide by their contracts has led to the filing of this lawsuit." | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| January 14, 2009 | Salvation is but months away (by Raju Mudhar Entertainment Reporter for Toronto Star). In town to give local media a sneak preview of footage from the upcoming Terminator Salvation, director McG was effusive in his praise for star Christian Bale and the efforts the cast and crew went through to stay true to the spirit of the vaunted sci-fi franchise. Showcasing footage from the unfinished blockbuster, which still had placeholder animation, as well as what looked like a new trailer for the upcoming May release, the director talked about everything from using distressed film stock to give the film a washed-out feel to choosing Danny Elfman to do the soundtrack. He even hinted about a certain governor of California making a guest appearance. "When it first got put on my radar to make a fourth Terminator flick, I said, `That sounds terrible. Jim Cameron told the story as he's always said in two films.' Then I heard the take was a post-apocalyptic story, after the bombs went off. That excited me, because the first three movies, there were only glimpses of the world after Judgment Day. So, right there, I started thinking that it might be worthwhile." The story picks up in 2018, nearly 15 years after Terminator 3: Rise of the Machines leaves off, where John Connor (Christian Bale) is a soldier in the resistance army. McG described the film as a war movie, but also one of "becoming," as the story of how Connor comes to be leader of the resistance. It is also the story of how the T-800 (the human-like Terminator models from the first film) are created by Skynet. McG hopes his addition to the Terminator mythology lives up to the first two helmed by Cameron and reignites the franchise, which was put in doubt after what many fans consider a lesser third instalment. Acting opposite Bale is Sam Worthington as a mysterious Terminator named Marcus Wright, as well as a young Kyle Reese (played by Anton Yelchin), who in the series mythology is sent back to father John Connor. "The first story was about saving Sarah Connor. The second film was about saving John Connor. This film is about saving Kyle Reese," said the director. McG said that Bale, in particular, insisted on an excellent script before signing on – Bale's also committed to two more sequels – and there are supposedly scenes featuring a lot of dialogue and exposition. That said, the footage shown was nothing but incredible action sequences including several shots of never-before-seen Terminator technology, including a 15-metre-tall giant robot called a Harvester, robotic motorcycles, flying hovercraft and menacing underwater eel-like robots called Hydrabots. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| January 2009 | Film Comment reports: First Look at “Terminator:Salvation”“What does it mean to be a quote human being?” director McG asked the crowd. As he spoke, a ten-foot tall automaton scanned the screening room with its glowing red eyes. “If we were graduate students at NYU, we could discuss the philosophy of it for hours.” As compelling as I found the question–might this mechanical toy express more genuine humanity than the unctuously insincere McG?–I have to admit that I felt less inclined to wax ontological than to imagine the endlessly awesome ways that this robot could be dismembered, blown up, or otherwise atomized into a million glittering pieces.Ah, the simple joy of staging physical destruction as cinematic spectacle. From what I glimpsed at last night’s clips preview, T:Siconic sequence in T2 where John Connor zips through a concrete flood-control channel on his moped while the T-1000 pursues him in a Mack truck. Both set pieces are models of analytical clarity: maximum visual legibility yielding maximum visceral impact. But the contemporary version ultimately comes up short. contains at least one really whiz-bang action set piece. It involves a human capturing mega-machine dubbed The Harvester, two deployable motorcycle robots, an eighteen-wheel oil tanker, and an obstacle course-like highway littered with abandoned cars. Of course, this couldn’t help but recall that While it’s hard to fault McG for not matching the plate-spinning complexity of a James Cameron set piece, what’s less forgivable is how he’s seemingly drained the franchise of its playful postmodern irony. McG said he wanted to “reboot” the Terminator films by taking them in a “darker” direction. That he repeatedly referred to The Dark Night as if it were Citizen Kane gives you a pretty good idea of what he’s aiming for. (Note that TDK scribe Jonathan Nolan was brought in for a rewrite.) Though not-so-thinly veiled political allegories were a foundational component of the original Terminator films, Cameron’s self-conscious enjoyment of the sheer absurdity of the sci-fi conceits injected those films with an insinuating sense of humor. Absent that humor, will the franchise devolve into pretentious self-seriousness? Will maddeningly vague references to contemporary political realities lamely attempt to telegraph some sense of moral gravity? Will the whole thing just feel empty without a star turn from that most inhuman of humans, Arnold Schwarzenegger? Mmmaybe. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| November 12, 2008 | James Cameron, director of the first two Terminator films, talks about the upcoming Terminator:Salvation (sort of) and clears up rumors about him thinking the movie was going to be a heaping pile of steaming feces. From Ain’t it Cool News:"There’s been some discussion at AICN and elsewhere of me rescinding my so-called blessing of T4 and that’s not the case. The truth is there never was a blessing to rescind, and there’s been some kind of misunderstanding between me and McG, perfectly innocent I believe. He asked me in a phone call when I was shooting in New Zealand earlier this year if I would be a supporter and creative participant in the new film. I said sure, send me the script and I’ll give you my thoughts. And I warned him that free advice is usually worth what you pay for it. For whatever reason I never got the script and to date I haven’t seen a foot of film other than what everybody’s seen in the trailer, which is not enough to form an opinion. So I have zero basis for supporting or dissing the film. As I said in an interview, for all I know it could be a masterpiece or it could be a big steaming pile. I think all people heard was the steaming pile part and concluded I was against the film, which I’m not. In fact, it might be very good, an opinion based solely on what Sam Worthington has shared with me. He’s nobody’s fool when it comes to material, and has absolutely the lowest bullshit quotient of anyone I know, and he has repeatedly told me that he reckons the film is going to be good. I know him to be very critical (in a healthy way) of his own work, and an actor who always aspires to excellence, so I know he wouldn’t praise the film if he didn’t feel it. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| October 23, 2008 by McG | The Future So Far... We wrapped principal photography. Now we're heavy into post. I've already shown early cuts to Christian and Sam. They seem pleased with where the film is headed. Our focus is on story and character, but it's fun diving into the world of visual effects. It feels like the responsibility of any Terminator film to reinvent the wheel of effects with every outing. The first movie was a stunning achievement in animatronics and practical effects from Stan Winston. The second film brought us liquid metal, which was a true revolution in the effects world. Robert Patrick's (T-1000) head coming apart and putting itself back together again looks as good today as ever. Charlie Gibson is aware of his responsibility as the VFX supervisor and second unit director of this film. He works with ILM and Asylum every day and makes revisions to the finest detail. We want the patina of the machines to be dirty and heavy and perfectly realistic - that's why we built so much practically with Stan Winston. But at some point the effects kick in and like any Terminator fan, Charlie wants his mind blown. There's one sequence in particular where we're trying to achieve something that's never been done before. I don't want to talk about it because we haven't been successful yet... But we're working on it. It's very interesting working with Conrad Buff every day. First of all he was the editor on Terminator 2 so it's very comforting having his steady hand at the Avid. Long before we ever began we talked about what excited us about making this film. It was the notion of the world after judgment day. We set out to create a world that honored the Terminator mythology but was its own new beginning. Every day I learn from Conrad as he makes the elegant choices of a disciplined filmmaker. It feels great to have his confidence in the movie. I take his opinion very seriously, he provides a daily litmus test for what is worthy of a Terminator film. Most importantly, Christian and Sam bring power to the rolls of John Connor and Marcus Wright. This is a story of two destinies colliding. Connor is part of a resistance comprised of the ethnicities that make up the globe. This film is so much more that just Los Angeles. It reflects the global crisis of man, all of man versus machine. McG | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| August 25, 2008 | WENN reported, Helena Bonham Carter has halted filming on the new Terminator movie to fly back to Britain after four members of her family were killed in a horrific car crash in South Africa. Bonham Carter’s relatives were on a safari holiday in the country when a minibus they were traveling in on Wednesday spun out of control and flipped over after a tire burst. The actress’ cousin Fiona Bonham Carter, 51, escaped with a broken shoulder. But Fiona’s son Marcus Egerton-Warburton, 14, her mother Brenda, 74, and stepfather Francis Kirkwood, 75, all died. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| August 7, 2008 | Someone over at www.Pause.com spoke to a representative at Warner Brothers who told him that Linda Hamilton has a role in the upcoming Terminator 4 in a flash back sequence. But it does get sticky quickly. They report that the studio says Linda has a 3 picture deal to do cameos in flashbacks in three upcoming Terminator movies. The problem is Linda Hamilton's reps know nothing about it, and if Linda were offered the role, would gladly accept. The premise of having Linda Hamilton in flash back sequences would be welcomed,but how it would align with T3's time line is anyone's guess (she is long dead in T3). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| August 5, 2008 | "I kind of play a baddie, definitely a baddie," Bonham Carter told Sci Fi Wire. "I don't know how much I'm allowed to say, but I'm a very bad person."Known for her bonkers female characters of the past (and this being one of the darkest movies Carter's been connected to) this Terminator is shaping out to be an intriguing look at a darker future for humanity. "Tim [Burton] would have killed me if I hadn't done it, because he's such a Terminator fan," Bonham Carter said, referring to her longtime partner and director on such films as Planet of the Apes. "I've been in big movies before, like Apes, and Fight Club was big in a different way, and Charlie [and the Chocolate Factory] and Sweeney Todd were big, but I've never been in this kind of big popcorn action movie, a male one, an action one." Source: http://www.scifi.com/scifiwire/ | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| August 1, 2008 | Speaking in a news conference at Comic-Con International in San Diego over the weekend, Howard added that the Terminator reboot film is set in a post-nuclear world that we can easily imagine, sadly. “In the imagining of a post-apocalyptic world, you do have, unfortunately, a lot of references that we can go to today,” Howard (Spider-Man 3) said. “War-torn countries and Third World countries where people don’t have access to … basic clean food and water and necessities and medical provisions. And that’s something to kind of examine, I think, for us, to say, ‘OK, yes, we’re making a picture about totally devastating circumstances, but the fact that it does reflect things that are going on currently in this privileged world that we’re living in–where there hasn’t been an apocalypse and robots haven’t taken over the world–I mean, I think that’s something definitely for us to re-investigate and to continue to make choices for our own future.” In Terminator Salvation, Howard’s Kate and Bale’s John are part of a resistance against the robots, who are engaged in a program to exterminate humanity, while also rounding some of them up for a nefarious purpose. “For my character, because she is a physician, you really are trying to just do the best that you can given circumstances, and, I mean, I assume she’s just finding books, and she’s just talking to as many people who have survived at the hospital to learn techniques so she can continue to save lives,” Howard said. “So that’s been a really fascinating journey for me, personally.” Terminator Salvation opens May 22, 2009. Source: SCIFI Wire | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| 7/30/08 | IDW Publishing is planning a 4-issue comic book series that will serve as a prequel to events in McG’s upcoming Terminator Salvation. The events of in the comic book series will take place in the year 2017, which is one year prior to the scene of the fourth Terminator film. The first issue will be release in January 2009, with the final issue coming out right as the movie hits theaters in May 2009. The series, written by Dara Naraghi with art by Alan Robinson, will show what life was like once the machines took over, but before John Conner becomes the leader of the resistance. Conner is just a normal soldier who does a radio show every night to communicate with surviving humans. It’s becoming noticeable that Connor is a presence and will be great, but he’s not sure whether he wants the responsibility. Naraghi said that his story will involve time travel and introduce new characters that won’t appear in the film.Source: www.geeksofdoom.com7/29/08The Dark Knight co-writer, Johnathan Nolan, completed a re-write of the script with McG before filiming began. This is noteworthy given the fact that The Dark Knight is a very good movie and is breaking every movie record. This should translate to an excellentT4.7/29/08Dallas Howard enjoyed working with Christian Bale The Dark Knight star Christian Bale's co-star Dallas Bryce Howard, who plays his wife in the new Terminator movie, says he was the best actor she has ever worked with. Dallas dismissed reports that Bale threw tantrums on the set and said working with him was a wonderful experience, contactmusic.com reports.Dallas said: "This man is just a gentleman, an amazing person. I adore him and I just can't wait to be with him next week. [His character] John Connor is a very intense character and so misinterpretations could happen, but every experience I've had with Christian has been like, 'I'm not worthy to be in your presence'. I have not had an experience like this before with an actor."7/26/08Remember a while back when Warner Brothers confirmed that Terminator Salvation would be a PG-13 rated film? Well, it appears that might not be the case after all. While talking up the productionand showing footage at Comin-Con 2008, director McG revealed that the picture comes first at all times. If it turns out to be an R-rated picture, then McG says it's an R-rated picture. McG has received the thumbs up from the honchos at WB. 7/22/08 Christian Bale On Terminator Salvation Movie Christian Bale hopes to re-launch Terminator in a "similar fashion" to Batman Begins.The actor -- who last weekend shot to the top of the box office with The Dark Night -- says he wants wants to reinvent the Terminator franchise and star in several sequels.He told MTV, "It will be in a similar fashion to the way that Batman Begins revitalized and reinvented."Bale said he hoped to leave the Arnold Schwarzenegger stigma far behind when he stars in Terminator Salvation."I see there is great potential for reinvention and revitalization of the mythology of it. And that's what I'm aiming to do."That's what I feel like our responsibility is; otherwise there is no point in making it."Bale explained that the script for for the new Terminator, written by David C. Wilson (Supernova) and Terminator 3 writers Michael Ferris and John D. Brancato, is similar to Batman Begins in that it brings a fresh perspective to a fatigued series, while keeping one foot firmly planted in the past. "In Terminator we are continuing a mythology," he insisted. "We don’t ignore a mythology, [similar to what] we did with Batman." 7/21/08Visual StyleFrom a technical perspective, McG has set out to achieve a completely new visual style that hasn't been seen before. He is shooting the film on color stock, but is using a method inspired by the Oz process which was developed at Technicolor by Mike Zacharia and Bob Olson. Basically McG is adding three times as much silver. It creates a surreal texture that is in keeping with the notion of the entire picture - feeling detached from the world we know today. 7/16/08 Shawn Ryan (T4 writer)Interview with Shawn Ryan (creator of "The Shield". Shawn was drafted by McG to rewrite part of the T4 script. He came in three weeks before filming began and took a pretty big whack at the script. 7/7/08 Outdoor filming has completed. T4 now moves to sound stages and CGI work. 7/1/08 Roland Kickinger joins the cast as the "bad" Terminator. He will play the first of the T-800's that Skynet created. His mission: kill John Connor. Roland is a life-long weight lifter and comes from Vienna, Austria. He is 6'5" and weighs in at 300+lbs.He has two critical scenes with John Connor at the end of T4. 6/29/08 Actress Helena Bonham Carter has joined the castof the new 'Terminator' movie: 'Terminator Salvation' as "Serena".The Hollywood Reporter says the star's role would be "small but pivotal". The English actress would join a cast which includes Christian Bale, Sam Worthington, Anton Yelchin, Bryce Dallas Howard, Moon Bloodgood, Common and Jadagrace. 6/16/08 Stan Winston, the Oscar-winning special-effects maestro responsible for bringing the dinosaurs of "Jurrasic Park" and other iconic movie creatures to life, has died. He was 62. Winston died at his home in Malibu surrounded by family on Sunday evening after a seven-year struggle with multiple myeloma, according to a representative from Stan Winston Studio. Stan was also leading the F/X for Terminator Salvation: The Future Begins. He will be missed. 6/3/08 T4 is in the middle of week 5. The New Mexico wind is kicking the grap out of the crew but providing a perfect backdrop for our post-apocalyptic world. McG has started filming the T-600's, which are bigger, grimier, nastier Terminator versions that preceded the T-800. Stan Winston, Production Designer Martin Laing and ILM came up with the designs and the T-600is on Kyle Reese's ass throughout the entire picture. McG wanted to achieve that bummer, rubbery skin, prosthetic look that cloaks an unrelenting machine with a singular focus of killing (target: Kyle). Sam Worthington (Marcus) tore a muscle on the left side of his ribs in a fight sequence. Neither McG nor Sam wants to use a stunt double. This movie takes place several years after Judgment Day, 2018 to be exact. Just like it took a long time to get an HD plasma screen in our world, it took Skynet a lot of research and development to get to the T-800, and this movie explores that "space between." In this film, there are Hydrobots that patrol the water, Transports that move human prisoners around, Harvesters that collect human beings as lab rats for Skynet, and Aerostats that survey all that is going on with the resistance the world over. ONLY THREE PEOPLE KNOW THE ENDING TO THIS MOVIE. UNLESS THE ENDING IS REVEALED BY ONE OF THESE PEOPLE, DO NOT BELIEVE ANYTHING YOUR READ OR HEAR. MOVIE INFO/CASTRelease Date: May 22, 2009Pre-production movie title: "Project Angel"Production Dates: Shooting is expected to start on May 5. 2008 in Albuquerque, New Mexico and surrounding Areas, also CGI (Computer Generated Images) work will be done Albuquerque Studios.Production Budget: $185,000,000 (Source: Screen International, 9/7/2007)Franchises: TerminatorDistributed by: Warner Bros. (USA), Sony Corp (everywhere else)Source: Not a sequel to T3; set in the year 2018Major Genre: Sci-Fi Rating: PG-13 (McG recently stated "R" could be finished product)Country: United StatesProduction Method: Live ActionDirector: Joseph McGinty Nichol ("McG" for short)Executive Producer: James Middleton (also Executive Producer of TSCC)Writers: John Brancato (T3), Michael Ferris (T3), David Campbell Wilson (Supernova), and Paul Haggis (CRASH) will "polish" the screenplaySpecial Effects: Stan Winston Studios and . ILM will provide the F/X. Stan Winston, having passed away on June 15, 1008, will be given a special credit at the end of the movie.Cinematography: Shane Hurlbut Production Design: Martin Laing Art Direction: Patricio M. Farrell and Troy SizemoreSet Decoration: Victor J. ZolfoCostume Design: Michael WilkinsonVIDEOSBelow are videos showing filming in progress. This are some aerial shots in New Mexico. The Video is described as Albuquerque, NM (June 2). First preview of the new Terminator 4 film, Terminator Salvation: The Future Begins.It’s for real so please don’t give this vid a deep six.If you look at the background you can see where they’re camping out. Terminator Salvation: First Look (from Tao News)Terminator Salvation: The Future Begins (amateur trailer)Terminator Salvation : The Future Begins Fan Made TrailerMade By nmrx105 (railrunneradrian105)Teaser photos released on June 10, 2008:The tagline on the bottom reads “Becoming Self-Aware Memorial Day 2009”This teaser poster was on display at the License Show in New York the week of June 16, 2008.The teaser poster next to it is from "The Day The Earth Stood Still" movie starring Keanu Reeves. This is a remake of a 1950's sci-fi classic and will be shown in theaters in December, 2008.FOR FILM TERMS & DEFINITIONS CLICK HERE MOVIE INFO T4 BACKGROUNDTerminator Salvation: The Future Begins (T4 for short) is the upcoming fourth installment in the Terminator franchise film series, It is currently in production and is scheduled to be released on May 22, 2009. It is being written by David Campbell Wilson, John Brancato, Michael Ferris, and Paul Haggis who will "tweak" the final draft script. T4 is being directed by Joseph "McG" McGinty Nichol. Sam Worthington was personally recommended to McG by Terminator creator James Cameron. Josh Brolin has been rumored to play the The Terminator. Moon Bloodgood will play a hardened resistance fighter pilot. Bryce Dallas Howard (daughter of Ron Howard) will play Kate Connor.While the Terminator franchise is closely aligned with Arnold, don't expect him to appear in T4. However, a cameo of some sort is not out of the question. It's difficult to keep up with the rumor mill.It has been confirmed that there will be three Terminator movies in this new trilogy, and Christian Bale has signed on for the other two movies that will follow T4.T4 SHOOTINGShooting of the film started on May 5, 2008 in Albuquerque, New Mexico. Stan Winston will supervise the visual effects.T4 BUDGET AND SOURCEUnconfirmed reports peg the budget for T4 at ~$185,000,000 million dollars (US). It falls short of the estimated budget for Spider-man 3 at $258,000,000 million dollars (US), which ranks #1.OTHER RELATED LINKS (special thanks to nmrx105 for these)New Mexico Film OfficeAlbuquerque StudiosMovie Set PicturesSTAGES OF FILM MAKING DEVELOPMENT This is the stage where an idea is fleshed out into a viable script. The producer of the movie will find a story, which may come from books, plays, other films, true stories, original ideas, etc. Once the theme, or underlying message, has been identified, a synopsis will be prepared. This is followed by a step outline, which breaks the story down into one-paragraph scenes, concentrating on the dramatic structure. Next, a treatment is prepared. This is a 25 to 30 page description of the story, its mood and characters, with little dialog and stage direction, often containing drawings to help visualize the key points. The screenplay is then written over a period of several months, and may be rewritten several times to improve the dramatization, clarity, structure, characters, dialogue, and overall style. However, producers often skip the previous steps and develop submitted screenplays which are assessed through a process called script coverage. A film distributor should be contacted at an early stage to assess the likely market and potential financial success of the film. Hollywood distributors will adopt a hard-headed business approach and consider factors such as the film genre, the target audience, the historical success of similar films, the actors who might appear in the film and the potential directors of the film. All these factors imply a certain appeal of the film to a possible audience and hence the number of "bums on seats" during the theatrical release. Not all films make a profit from the theatrical release alone, therefore DVD sales and worldwide distribution rights need to be taken into account.The movie pitch is then prepared and presented to potential financiers. If the pitch is successful and the movie is given the "green light", then financial backing is offered, typically from a major film studio, film council or independent investors. A deal is negotiated and contracts are signed. PRE-PRODUCTION In pre-production, the movie is designed and planned. The production company is created and a production office established. The production is storyboarded and visualized with the help of illustrators and concept artists. A production budget will also be drawn up to cost the film.The producer will hire a crew. The nature of the film, and the budget, determine the size and type of crew used during filmmaking. Many Hollywood blockbusters employ a cast and crew of thousands while a low-budget, independent film may be made by a skeleton crew of eight or nine. Typical crew positions include: The director is primarily responsible for the acting in the movie and managing the creative elements. The assistant director (AD) manages the shooting schedule and logistics of the production, among other tasks. The casting director finds actors for the parts in the script. This normally requires an audition by the actor. Lead actors are carefully chosen and are often based on the actor's reputation or "star power." The location manager finds and manages the film locations. Most pictures are shot in the predictable environment of a studio sound stage but occasionally outdoor sequences will call for filming on location. The production manager manages the production budget and production schedule. He or she also reports on behalf of the production office to the studio executives or financiers of the film. The director of photography (DP or DOP) or cinematographer creates the photography of the film. He or she cooperates with the director, director of audiography (DOA) and AD. The art director manages the art department, which makes production sets The production designer creates the look and feel of the production sets and props, working with the art director to create these elements. The costume designer creates the clothing for the characters in the film working closly with the actors, as well as other departments. The make up and hair designer works closely with the costume designer in addition to create a certain look for a character. The storyboard artist creates visual images to help the director and production designer communicate their ideas to the production team. The production sound mixer manages the audio experience during the production stage of a film. He or she cooperates with the director, DOP, and AD. The sound designer creates new sounds and enhances the aural feel of the film with the help of foley artists. The composer creates new music for the film. The choreographer creates and coordinates the movement and dance - typically for musicals. Some films also credit a fight choreographer. PRODUCTION In production the movie is created and shot. More crew will be recruited at this stage, such as the property master, script supervisor, assistant directors, stills photographer, picture editor, and sound editors. These are just the most common roles in filmmaking; the production office will be free to create any unique blend of roles to suit a particular film.A typical day's shooting begins with an assistant director following the shooting schedule for the day. The film set is constructed and the props made ready. The lighting is rigged and the camera and sound recording equipment are set up. At the same time, the actors are wardrobed in their costumes and attend the hair and make-up departments.The actors rehearse their scripts and blocking with the director. The picture and sound crews then rehearse with the actors. Finally, the action is shot in as many takes as the director wishes.Each take of a shot follows a slating procedure and is marked on a clapperboard, which helps the editor keep track of the takes in post-production. The clapperboard records the scene, take, director, director of photography, date, and name of the film written on the front, and is displayed for the camera. The clapperboard also serves the necessary function of providing a marker to sync up the film and the sound take. Sound is recorded on a separate apparatus from the film and they must be synched up in post-production. The director will then decide if the take was acceptable or not. The script supervisor and the sound and camera teams log the take on their respective report sheets. Every report sheet records important technical notes on each take. When shooting is finished for the scene, the director declares a "wrap." The crew will "strike," or dismantle, the set for that scene. The director approves the next day's shooting schedule and a daily progress report is sent to the production office. This includes the report sheets from continuity, sound, and camera teams. Call sheets are distributed to the cast and crew to tell them when and where to turn up the next shooting day. For productions using traditional photographic film, the unprocessed negative of the day's takes are sent to the film laboratory for processing overnight. Once processed, they return from the laboratory as dailies or rushes (film positives) and are viewed in the evening by the director, above the line crew, and, sometimes, the cast. For productions using digital technologies, shots are downloaded and organized on a computer for display as dailies. When the entire film is in the can, or in the completion of the production phase, the production office normally arranges a wrap party to thank all the cast and crew for their efforts. POST-PRODUCTION Here the film is assembled by the film editor. The modern use of video in the filmmaking process has resulted in two workflow variants: one using entirely film, and the other using a mixture of film and video.In the film workflow, the original camera film (negative) is developed and copied to a one-light workprint (positive) for editing with a mechanical editing machine. An edge code is recorded onto film to locate the position of picture frames. Since the development of non-linear editing systems such as Avid, Quantel or Final Cut Pro, the film workflow is used by very few productions. In the video workflow, the original camera negative is developed and telecined to video for editing with computer editing software. A timecode is recorded onto video tape to locate the position of picture frames. Production sound is also synced up to the video picture frames during this process. The first job of the film editor is to build a rough cut taken from sequences (or scenes) based on individual "takes" (shots). The purpose of the rough cut is to select and order the best shots. The next step is to create a fine cut by getting all the shots to flow smoothly in a seamless story. Trimming, the process of shortening scenes by a few minutes, seconds, or even frames, is done during this phase. After the fine cut has been screened and approved by the director and producer, the picture is "locked," meaning no further changes are made. Next, the editor creates a negative cut list (using edge code) or an edit decision list (using timecode) either manually or automatically. These edit lists identify the source and the picture frame of each shot in the fine cut. Once the picture is locked, the film passes out of the hands of the editor to the sound department to build up the sound track. The voice recordings are synchronised and the final sound mix is created. The sound mix combines sound effects, background sounds, ADR, dialogue, walla, and music. The sound track and picture are combined together, resulting in a low quality answer print of the movie. There are now two possible workflows to create the high quality release print depending on the recording medium: In the film workflow, the cut list that describes the film-based answer print is used to cut the original colour negative (OCN) and create a colour timed copy called the colour master positive or interpositive print. For all subsequent steps this effectively becomes the master copy. The next step is to create a one-light copy called the colour duplicate negative or internegative. It is from this that many copies of the final theatrical release print are made. Copying from the internegative is much simpler than copying from the interpositive directly because it is a one-light process; it also reduces wear-and-tear on the interpositive print. In the video workflow, the edit decision list that describes the video-based answer print is used to edit the original colour tape (OCT) and create a high quality colour master tape. For all subsequent steps this effectively becomes the master copy. The next step uses a film recorder to read the colour master tape and copy each video frame directly to film to create the final theatrical release print. Finally the film is previewed, normally by the target audience, and any feedback may result in further shooting or edits to the film. DISTRIBUTION This is the final stage, where the movie is released to cinemas or, occasionally, to DVD, VCD or VHS (though VHS tapes are less common now that more people own DVD players). The movie is duplicated as required for theatrical distribution. Press kits, posters, and other advertising materials are published and the movie is advertised.The movie will usually be launched with a launch party, press releases, interviews with the press, showings of the film at a press preview, and/or at film festivals. It is also common to create a website to accompany the movie. The movie will play at selected cinemas and the DVD is typically released a few months later. The distribution rights for the film and DVD are also usually sold for worldwide distribution. Any profits are divided between the distributor and the production company.won | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||