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The Making of Terminator: The Sarah Connor Chronicles
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The Making of Terminator: The Sarah Connor Chronicles
The making of Terminator: The Sarah Connor Chronicles started on November 9th 2005 by C2 Pictures the creators of Terminator 2: Judgment. The series, initially titled The Sarah Connor Chronicles, focuses on the character Sarah Connor who is on the run with her son after the events of Terminator 2: Judgment Day. Regarding the character Middleton said, "She has the weight of the world on her shoulders and also has to raise a teenage son who may be the salvation of humanity." Friedman commented that the series would contain fewer action sequences due to the smaller budget of television in contrast to feature films.
The pilot episode is set in 1999 and introduces Sarah, her son John, and Cameron, a Terminator that has been re-programmed to protect John. They are being pursued by a Terminator (Cromartie) sent back through time to assassinate John and also by FBI Special Agent James Ellison, who believes Sarah is a deranged criminal (based on the events of Terminator 2: Judgment Day). Sarah is romantically involved with a paramedic named Charley Dixon, but ends her relationship with him to stay on the run. During the pilot, Sarah, John, and Cameron make a temporal leap to the year 2007. Cromartie suffers extensive damage while trying to kill them, begins to effect repairs to his endo-skeleton and artificial flesh, and continues his search for John in 2007. Seeing how John is frustrated with their life of running, Sarah resolves to go on the offensive against Skynet. But the world in 2007 proves complex: they find Skynet has sent additional Terminators back in time to support its own creation, and the resistance movement has sent back its own fighters to interfere. As they seek out an intuitive chess computer called The Turk, which may be a precursor to Skynet, they forge an alliance with Derek Reese, resistance fighter and John's uncle.
The pilot episode was primarily filmed in Albuquerque, New Mexico. The principal photography started on January 24, 2007 and took approximately one month to complete. Subsequent episodes in the series were filmed in the backlot of Warner Brothers Studios in Burbank, California, on a set previously used by Gilmore Girls to depict their fictional town, Stars Hollow.
Terminator: The Sarah Connor Chronicles features incidental music composed by Bear McCreary. For financial reasons, the main theme of the Terminator film series, composed by Brad Fiedel, is featured briefly in the TV series - mainly during the title sequence. McCreary has stated that his score is inspired by the tone of Fiedel's score in the first two Terminator films and since Terminator: The Sarah Connor Chronicles is a direct sequel to Terminator 2: Judgment Day, he felt that the tone of the music should be consistent with that of the film as much as possible. He began working on the score by recording metallic sounds, using "oil cans, whale drums, chains, anvils, brake drums, garbage cans, thundersheets, tin cans...", after which he edited the samples and created his own custom library of metallic drums. For every episode thereafter, live metal percussion elements were recorded on top of the electronics.While Fiedel's scores were performed using synthesizers, McCreary chose to use an ensemble of electric string instruments instead.
A musical theme was created for each of the principal characters. The theme for Sarah Connor is the most frequently used theme in addition to being the longest and the most developed theme in the series as opposed to that which was created for the character in the films. There are two main sections to Sarah's theme with one presenting her "bad-ass, stoic warrior" side and the other as "a loving mother". John's theme was originally composed for a specific scene in the pilot episode and performed with a solo clarinet to convey his loneliness and awkwardness.McCreary stated that the "musical ambiguity in the melody" is used to show John's transformation in the series.Although themes were also written for other characters such as Derek Reese, James Ellison and the "evil terminator[s]", no themes were written for Cameron during the first season because McCreary felt that "her character was defined by her relationship with John, Sarah and the others around her" so Sarah's or John's theme was used in most of her scenes.
The series mainly features McCreary's original score. Songs and instrumental music from other sources are used sparingly. Alter Bridge's single "Rise Today" were used for the promotion of the first season. Three songs have been used in the series so far: "The Man Comes Around" by Johnny Cash was used in the first season finale and a cover of "Samson and Delilah" by Shirley Manson was used in the second season premiere. Both songs were used as background music for an action sequence in their respective episode.
The second season episode, "The Mousetrap", features "Safe Within Your Arms" by Greg Garing. "Nocturne in C-sharp minor" by Frédéric Chopin was used in the first season episode "The Demon Hand". The record label La-La Land Records is expected to release the original television soundtrack for Terminator: The Sarah Connor Chronicles on November 18, 2008.
The pilot episode is set in 1999 and introduces Sarah, her son John, and Cameron, a Terminator that has been re-programmed to protect John. They are being pursued by a Terminator (Cromartie) sent back through time to assassinate John and also by FBI Special Agent James Ellison, who believes Sarah is a deranged criminal (based on the events of Terminator 2: Judgment Day). Sarah is romantically involved with a paramedic named Charley Dixon, but ends her relationship with him to stay on the run. During the pilot, Sarah, John, and Cameron make a temporal leap to the year 2007. Cromartie suffers extensive damage while trying to kill them, begins to effect repairs to his endo-skeleton and artificial flesh, and continues his search for John in 2007. Seeing how John is frustrated with their life of running, Sarah resolves to go on the offensive against Skynet. But the world in 2007 proves complex: they find Skynet has sent additional Terminators back in time to support its own creation, and the resistance movement has sent back its own fighters to interfere. As they seek out an intuitive chess computer called The Turk, which may be a precursor to Skynet, they forge an alliance with Derek Reese, resistance fighter and John's uncle.
Filming Terminator: The Sarah Connor Chronicles
The pilot episode was primarily filmed in Albuquerque, New Mexico. The principal photography started on January 24, 2007 and took approximately one month to complete. Subsequent episodes in the series were filmed in the backlot of Warner Brothers Studios in Burbank, California, on a set previously used by Gilmore Girls to depict their fictional town, Stars Hollow.
The Music of Terminator: The Sarah Connor Chronicles by Bear McCreary
Terminator: The Sarah Connor Chronicles features incidental music composed by Bear McCreary. For financial reasons, the main theme of the Terminator film series, composed by Brad Fiedel, is featured briefly in the TV series - mainly during the title sequence. McCreary has stated that his score is inspired by the tone of Fiedel's score in the first two Terminator films and since Terminator: The Sarah Connor Chronicles is a direct sequel to Terminator 2: Judgment Day, he felt that the tone of the music should be consistent with that of the film as much as possible. He began working on the score by recording metallic sounds, using "oil cans, whale drums, chains, anvils, brake drums, garbage cans, thundersheets, tin cans...", after which he edited the samples and created his own custom library of metallic drums. For every episode thereafter, live metal percussion elements were recorded on top of the electronics.While Fiedel's scores were performed using synthesizers, McCreary chose to use an ensemble of electric string instruments instead.
A musical theme was created for each of the principal characters. The theme for Sarah Connor is the most frequently used theme in addition to being the longest and the most developed theme in the series as opposed to that which was created for the character in the films. There are two main sections to Sarah's theme with one presenting her "bad-ass, stoic warrior" side and the other as "a loving mother". John's theme was originally composed for a specific scene in the pilot episode and performed with a solo clarinet to convey his loneliness and awkwardness.McCreary stated that the "musical ambiguity in the melody" is used to show John's transformation in the series.Although themes were also written for other characters such as Derek Reese, James Ellison and the "evil terminator[s]", no themes were written for Cameron during the first season because McCreary felt that "her character was defined by her relationship with John, Sarah and the others around her" so Sarah's or John's theme was used in most of her scenes.
The series mainly features McCreary's original score. Songs and instrumental music from other sources are used sparingly. Alter Bridge's single "Rise Today" were used for the promotion of the first season. Three songs have been used in the series so far: "The Man Comes Around" by Johnny Cash was used in the first season finale and a cover of "Samson and Delilah" by Shirley Manson was used in the second season premiere. Both songs were used as background music for an action sequence in their respective episode.
The second season episode, "The Mousetrap", features "Safe Within Your Arms" by Greg Garing. "Nocturne in C-sharp minor" by Frédéric Chopin was used in the first season episode "The Demon Hand". The record label La-La Land Records is expected to release the original television soundtrack for Terminator: The Sarah Connor Chronicles on November 18, 2008.
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